Monday, September 14, 2009

Oh, I don't know

1. Good news
Sometimes, after months of waiting, you get a few minutes of good news. It keeps you going. I live for those few minutes. I had some this morning. Most people don't know that I have huge visions in my head, that today or next year is only in preparation for all that I want to achieve in my life. This secrecy.. most of it is just a pathological need for privacy. The rest can be accounted for by oh, I don't know, it's easier to get things done quietly.

2. Friends
One of the things I miss most about Sapporo is J. She really made me laugh. I like... love her so much because she never took my aloofness personally. She just... got it. Generosity combined with understanding, I think. Most people don't know that I have so much going on in my head that frequent retreats are necessary to prevent sensory and emotional overload from surroundings and people (especially people).

3. Lovers
Sometimes you can be very much in love with someone, yet not enjoy their company completely. This makes for interesting, but disastrous, affairs. The sex is good, usually - it feels like you're doing it on the edge of a cliff. But when you love someone you also love spending time with... it's like you're a child again. You go and meet them in the playground at 5pm and you try to will those last moments before the sun sets to last forever. Couple more turns on the monkey bars with so-and-so, oh please mum, please. Sunset is time to part, go home, have dinner, do your homework, and prepare for school the next day. Nothing is more soul-crushing than saying good-bye to your best friend at the park on a Sunday evening.

4. Living
I live my own life, for myself.

Monday, August 24, 2009

Thoughts on sex

I started writing this with the lights on, then I got up and turned them off, scotch in hand.

I like the way skin feels in the dark, how it looks - the hills glow and the valleys sink into liquid shadow. Your sense of smell sharpens. Your voice gets deeper and more languid, mine does anyway.

I'm thinking about... how one can be degenerate, yet fine, at the same time. By fine, I mean, not 'how are you, I'm fine'; fine like, bone china, steel, a panther, silk, fine wine, whiskey, a fine man, an excellent woman. Fine to do with suppleness - of character and body, limbs, the mind. A supple mind makes the hair on my body stand on end. When I say something filthy to man who's buying me a drink at some random bar - I watch for that catch in his eye, then the slow smile, and I know I'm going to have a great time. It doesn't happen so often.

I like being on the edge of danger, and I'm fine with that. As I get older, I know my limits better, and I get to linger out there on the edge for longer periods of time, with none of the usual guilt and self-loathing. I really love men, how they make feel, the way they react to things - it's exciting and inspiring. What I've learned in my short years on this earth is that they're more apt to disappoint than to hurt you. If you accept this, a much better time is had by all. I love women too, they're so soft, so intelligent and powerful and compassionate, sometimes vicious in a way not many men are, and they don't let go easily. One thing about women is, they're terribly loyal. As I write this, different men and women I know spring to mind, they get mixed up with each other, until I can't tell who was masculine and feminine... the traits blur into each other. Writing this is a way of appreciating them all over again - the best and the worst.

In short, I fall hard for people who have great character and who love sex, and in whom these two things are always circling each other, like insects around a flame.

Mmm. This post has put me in a good mood.

Tuesday, August 18, 2009

Mmmm. Take me back.

Contemplating Toyohira river the day before leaving Sapporo. It was insanely sunny. Gorgeous, liquid. I was in the height of health! So happy to remember.



Sunday, August 09, 2009

Recipe for happy room

1 Telescope
Large windows with view of green outside
Maps on wall
Rack of clothes
Walking shoes
Bookshelves made of old crates
Oriental rug
Futon
A few die-hard plants
Favorite art
Bicycle with basket
Raincoat
Sewing machine
Model ships
Record player
Hula hoops
Karaoke machine
Blackboard
The right cat (manly, stoic, dignified cat with handsome face)
Candles stuck in wine bottles

Sunday morning happy post

Sunday morning, waking up early with, if I was a man, the equivalent of a raging hard-on. Rolled around in bed for a delicious amount of time, replaying scenes with people I've slept with and inventing some with people I'd like to.

I have the house all to myself and I'm happy to be alone. Well, relatively alone - the cat is in the background amusing itself with the carpet. We had a moment last night after I came home slightly drunk. He had been moody and hadn't eaten all day. We did a little dance together in the living room at midnight, after which he suddenly started chowing down on his kibble like it was tuna sashimi. I suppose as creatures we all need some love and dancing to stimulate the appetite.

My mind is working very well, purring away like a high-grade instrument, taking pleasure and feeling anger at the right things, in right amounts.

I am really pleased with my wardrobe, I love all my clothes and shoes. They protect me and seem to set me up for adventure.

I've been listening to music that speaks to the man in me. Johnny Cash, Elvis and The Legendary Tigerman... a one-man blues band. Check this video out:



The man in me... I remember someone saying that people who are a mix of masculine and feminine are the most fun and interesting to hang out with, because they stimulate you on so many levels. Yes, me and Z. have the best time together... he is my favorite. Teehee.

Hey! I'm feeling generous. Here are some pics of Japan for you...

1. In my Sapporo apartment, contemplating the possibility of going out with a blue wig.

2. Rainbow in the Tokyo sky from the weekly apartment where me and J. stayed for a week.

3. Drinking until the sun came out... had to run outside in the freezing air to greet and salute it.

4. Dressed in yukata at the opening party of our Open Studio. I've never been so happy at an opening.

Tuesday, July 14, 2009

Transformations

Should this become drunken post? I'm not really though...

3 days before departure from Sapporo to Tokyo and then back home.

Fully changed by experience here.

Trying to fend off overwhelming feeling of not being ready, not wanting to leave... with incantations, singing off key, self-affirmations.

Not just the place, but being in love with the person that I am here. I don't want to forget.

But there is alot of work to be done back home. Seeds planted need to be tended to. I know where I belong, where I'm needed. But I'm scared.

This place was good for me because I know the way things can and should be. The line where life and art meet is blurred, fluid. I am grateful.

Tomorrow never waits... even if you're not ready, it comes. Sun rises and you just deal.




Sunday, July 05, 2009

Flashes

Waking up so happy, I almost disgust myself.

Making significant dents in my vegetarianism by downing freshly caught sea urchin in a dark bar.

Too many vodkas, wines, and beers; too many days in a row.

Stumbling over rudimentary Japanese as I try to impress someone I like.

Grilled shiitake.

Impromptu drinking parties outside the apartment.

Riding my bicycle in a short dress, feeling cold air on my legs.

Discovering I can cook, write in Malay, and do anything I want to do.

Rice balls at 2am.

Time passing too quickly, building up reserves of positive energy to be rationed and used when I get back home.

Cheap plastic silver wig.


Making art out of thin air.

Acupuncture in my living room.

A full handmade cotton kimono as a present.

Knowing what my next tattoo will be.

Thursday, June 04, 2009

dawn and dusk 02

Quick notes to self on the project I want to do, before this brief clarity fades.

1. Collect stories of falling in love and falling out of love

2. Yesterday I was on Horohira Bashi (the main bridge overlooking Toyohira river in the city), intending to film the sunset on my mobile phone. I was looking up at the sky, thinking big and profound thougts, when something compelled me to look down. I laughed out loud, because all along the banister of the bridge, people had scrawled love notes in Japanese. I had stumbled upon the city's secret repository of love graffiti. It was a humbling moment - you can have this grand idea of what you want to do or express, and the street will always beat your imagination. Look down, always remember to look down. I spent the rest of the fading light photographing each little note... mostly executed in liquid paper ('blanco' to some people).

3. Turn these love notes into stamps (almost all tourist/public spots like museums, onsen and temples have these stamps for people to commemorate their visit), so that people can take home a souvenir.

4. Extract the colors of sunset and sunrise, print these out on sheets of paper - enough to cover a wall. People can stamp the love notes on these sheets of paper.

5. Project videos of love stories collected on the wall.

6. Film self at the most scenic and beautiful spots to catch sunrise and sunset telling own story of falling in and out of love.

That's it!

Tuesday, June 02, 2009

Healthy

UPDATE: Now with pics to make you salivate. What's that's reflex thing again? The one that makes dogs drool? I'd google it. But...

Le ingredients. Fried rice is the same whichever continent you find yourself on. But my dad taught me to follow this rule: never put garlic in fried rice. Only onion. I don't know why, but I've never questioned this wisdom.

Managing a non-personal blog is like managing a thousand egos. And that's not even counting my own (substantial) one. At least I'm geographically distant from it all at the moment. Now I know why sometimes gallerist/blogger/super nice fellow Ed Winkleman just loses it and lashes out in the comments. In fact, I don't know how he manages to do it so seldom. I love you Ed!

Tonight I made use of last night's rice and made fried rice with long beans, onion, tofu and tomatoes. Surely enjoying one's own cooking as much as I did smacks of vulgar, sinful pride. It's just that I was so happy eating it. Tried a new Sapporo beer as well. I promised Z. some images, but I'll add them tomorrow. Enough of the internet and my computer today.

In the midst of cooking. I have a tiny frying pan, so I use the soup pot for pretty much everything.

You know that scene in Heidi (by Joanna Spyri), where she gets used to her new life in the Swiss Alps with her grandfather - she takes a cold bath, then drinks a glass of fresh milk, and eats a big slab of toasted cheese with bread and has the best sleep of her life? That's how I feel.

Presentation is everything. So is beer. I try a different beer every night so that I can build up a collection of beer cans. My motives are purely aesthetic of course.

Monday, June 01, 2009

Today I cooked

...a Spanish Tortilla - basically an omelette with onions and thin slices of fried potatoes in it. Drizzled on top about 1/3 of a tiny, ridiculously expensive bottle of Thai chili sauce I splurged on at the supa-maruketto. Cos, I'm South East Asian, yo. And we need our chili sauce.

And then for dinner, it was plain rice. Eaten with a bunch of grilled white asparagus seasoned with oil, salt and pepper. Tender bamboo shoot stewed in soysauce and mirin (sweet rice vinegar). Some fresh cherry tomatoes.

Plenty of flesh on me bones at the moment. Enjoying the tastes and textures of Hokkaido produce!

Sunday, May 31, 2009

dnunken post 02

hello... drunken again.. kind of.

E. took me along to the cutest little boutique selling reconstructed vintage clothes and antiques. I was sorely tempted by two carved wooden pendants (an anchor and a ship's wheel), and a pair of skirt/shorts that was based on an antique pattern of Victorian bloomers. We hung out there eating cheese + homemade goodies and drinking lots of excellent Sangria.

Z. (bless his dear heart) said 'just splurge on one piece lah', but this year I made a decision to only buy Malaysian-made fashion. I have my eyes on a beautiful long silk dress from Gallo. I've been looking for an ankle-length dress I can wear with sneakers, and the Gallo dress is definitely it. It has a lime green top, with bright purple skirt. If it is the sole item of clothing I purchase this year, I will be happy. I'm proud of myself that I haven't bought any clothing or shoes since February, except a 5-pack of cute cotton panties. I'm finding new ways to wear all my clothes, which is pretty fulfilling. It's the dresses... the dresses that are my weakness. I see a beautiful one and all good sense flies out the window.

Uh... i think i'll have a smoke now. then bed. goodnight. drunken and happy. observatory... seeing stars. mmm.

Friday, May 29, 2009

Drunken post

Riding home through fog at midnight, with vodka, wine and some home-made hooch (o-sake) in my bloodstream.

Crossing the bridge over Toyohira river was like brushing the robes of a sleeping god.

Pleasure, laughter, food and drink. Sleep now. I'm happy. Good night.

Thursday, May 28, 2009

Notes on Dawn and Dusk

It has been ages since I last posted here. My cup of life runneth over, and there has been little space for the sort of musings I like to indulge in here.

Now, I'm on a 2-month artist residency in Sapporo, Japan. As usual in my life, it was a last minute thing. Being suddenly spirited away from the chaos of KL life, and I'm finding the slow, gentle pace of this new city simultaneously pleasant and unsettling. I told someone the other day that going on a residency is like being put through a pasta machine - you get strrrrrrrretchhhhhhed out, and all the starch in you needs to expand to encompass the new experience of each day. My artist life has so far been 4 years of constant extending and retracting - I guess it's like having a penis? I don't like where this metaphor is going. I'm going to kill it.

I never wrote at length about the long awaited administrative job that turned out to be just a mirage. I've had disappointments and rejections aplenty, but I don't like dwelling on them. I shed a few tears, I suppose, maybe shook an imaginary fist or two in the privacy of my own room. I'm pretty much safely over the self-pitying now, and the institution in question has crumbled, if not quite into dust, then at least into something resembling farcical ruins - of the fake rock variety. The point is, the elasticity needed in my artist life had worn me out completely. Stasis looked, and still looks, very inviting. I find I can't tell this to any but my closest persons - or, correct that, the people who know me well, all tell me I have... to... stop. Slow down. They get it. I don't.

It's been two weeks now since I left home. From frenzy into - well, sitting. Sit sit sit. When you proof dough, it means letting it sit in a bowl with a little towel over it. It usually doubles in size, all the yeast is working and getting things going. That's what's happening to me. I'm being proofed, but I want to be kneaded.

I want to be kneaded!!! Well, I also want to be made love to in anonymous hotel rooms, to be photographed naked, to dance sexily at seedy beach bars during sunset. All of this has nothing to do with tame ideas of 'love', but everything to do with what makes me feel alive. I once got drunk with a bunch of strange men - shots of alcohol set aflame, that sort of nonsense, made them buy a bottle of gin - drank them under the table and then abandoned them to feng tau with young chinese boys in an awful disco in Phileo Damansara. Hahaha, yes, besfren, you were there. You knew it happened. That's one of the most vivid memories I have. Fear, recklessness, and some insane instinct or misplaced belief that no harm would come to me.

I see brows furrowing. Bless you. And bless you if yours isn't.

Hmm. I have missed posting here. It's like having a good, comfortable vomit.

Basically, I'm in the process of letting go. Learning to party, being comfortable doing nothing. And the art is coming, slowly, in a trickle. It was actually to latch on to the very beginnings of ideas that I started to write this post. Well, took a detour there, didn't I?

I've said many times that dawn and dusk are my favorite times of the day. They're transition times and so force you to be in the moment. It reminds me of falling in and out of love. The first point you started feel... something, isn't that dawn. And then the end, or the begining of it... that's dusk. The inevitability of what's in between, what follows, and then the whole repeated the next day - if you're lucky. So lucky to be alive.

Observatories. Take some pictures of dawn and dusk from there. Extract the colors... collect some stories of falling in and out of love. Give some colors away. Something like that.

I think.

I hope that's what I'm going to do.

Monday, April 13, 2009

Patience

Living with my housemates J. and W. is great. They give me all the space I need (which is ridiculously large ammounts), but are always sympathetic listeners to alot of pent up frustration I have inside. That one reason why I haven't been posting here - I find I need this crutch less and less.

Sometimes I go to sleep at night, wondering if I am being stupid by doing all these other things (like starting ARTERI) instead of concentrating hard on my art career like a good little artist should. Those opportunities slipping by... all that lost studio time...

I stack up ideas for the work I want to make... each one a little lego brick in the private corner of my mind. I have a big show welling up inside me, and I will launch it when the time is right. Perhaps in a couple of years. I hear voices of all my secret mentors whispering: 'be patient, little fish', and also, 'is getting older so very bad? success at a young age is overrated'.

Each time I get mad/frustrated, I think about how lucky I am to be here in Malaysia - in this rich, flawed and beloved country. Those of us who are able have no excuse, no excuse whatsoever, to not do what we can to imagine and create a better future.

Quite often, I think of you, Snail... do you even come by to visit me here anymore? I haven't seen you in ever so long. Sometimes I really miss you, and a great desire to meet you face to face builds up. But I respect your need for distance. Something tells me you are somewhere safe and at peace, finding whatever it is you need.

Consider this an emo rant. I don't know about you, but I certainly feel better for it.

Tuesday, March 31, 2009

Life's g

Hello. Haven't been here for awhile. Moved out into a new house. Didn't get the corporate job afterall. Started a new art blog: www.arterimalaysia.com. Trying to write a post for it about 'darkness'. A friend in Yangon intercepted with a gchat. Too good not to share it: (normal posting will resume soon, promise)

mrt: hello Ma'am.
me: hullo sir
how are you?
mrt: dont know why this simple ques make me difficult.
anyway,think i m good.
:)
really happy to see you again.
me: haha. simple questions are the worst questions
I'm glad to 'see' you too
mrt: i sent you a msg thru facebook.
me: just think: we're talking, but I'm here and you're there. Wish someone would invent a way to drink beer through gmail chat
ya, I haven't check my facebook for some time
mrt: i totally agree with that.
me: too much noise - email, phone, etc.
mrt: gtalk = gdrink
me: heheh. great idea.
mrt: it should be that way.
me: it should
mrt: you know...
the uncles has been testing to tighten
the grip of e-networking between
us.
and the internet connection is
really sluggish these days.
me: I see.
I don't think I like your uncles
we should poison them at the next family dinner
mrt: that's the most effective way,i think.
me: HAHAH :D
mrt: if not,our brains will be full of their shit
and our deeds will be in their shit.
:)
me: yes... poison.
Mrt... you know, last week, we had something called 'Earth Hour'
do you know it?
mrt: 8888?
me: it's when the whole world is supposed to turn off all their lights for one hour - to save the earth.
stupid idea.
mrt: i c.
he he.
me: but it made me think about something though... the idea of 'darkness'
mrt: many Earth hours from my room,then.
me: HAHAH :D
mrt: do u like the darkness?
me: I'm trying to write something about 'darkness'
I do like it... it's very comforting
I was thinking: in heaven, what if there is no night?
I think I'd go crazy
I'd try and poke my eyes blind
mrt: it will be like you r taking too much amphetamine.
me: yes!
scary
mrt: in Burmese, we say...
eyes wide like lemons
mrt: as a mortal/ephemeral,i really can't enjoy thinking of eternity in every aspects.
me: heh... yes.
now is far better than any sort of eternity.
mrt: yes.
me: it'd be better with some kind of beer, or nice scenery, maybe a girlfriend (for you) or my boyfriend (for me)
mrt: there come another unlucky twos for lucky us.
:)
me: heheh. ya!
mrt: we want GDrink...
me: now now now
mrt: GDrink...
Gdrink....
fight,fight,fight for your Gdrink
me: say it enough times, it seems more real. That's art, right?
mrt: can't separate it now.
it becomes life...
me: hah!
mrt: it becomes art...
me: great, I can taste gdrink already
it has some lemons in it
mrt: one of your eyes is committing treason
against our Gdrink constitution
it seems to have taken Gphetamine
our rival gang.
me: haha. I'm laughing.
glaugh
mrt: me too.
Ghaha.
me: HAHAHAHAH
mrt: haGhaGhaGha
i m so happy.
me: stop it. heheheh
me too.
I got to go now, though.
mrt: ok. you wanna ban G?
me: Someone is calling...
mrt: i have to _o too
keep in touch!
then!
me: no, let's keep G!
ok.
mrt: be _ood.
me: ok, I'll keep the g, you can do the rest
mrt: hu_s
me: g bye
g.
mrt: ni_ht!
me: :D
mrt: seize the night!
night,Sharon!

Wednesday, February 11, 2009

Seasonal mating

Somehow someway marriage season has descended upon me. As happy as I am for the individual persons, I wish I could be happy for them at a distance, preferably with iron-cast excuses as to why I can't attend their wedding dinners/functions/surprise parties etc etc etc. This is hell on earth for a closet agoraphobe such as me. I have to keep reminding myself: it's not about me, it's not about me, it's not about me, so grin and bear it you stupid fish!

Wednesday, January 28, 2009

Silence

Warm is the day
in my palm

Green is the light
in my lap

I wish I could tell you
that I love you

in colour
in heat

Like the daylight
tells me so
everyday.

(for z.)

Manifest!

Wanting:

FRANCESCO CLEMENTE
Silence, 2001-2002
Watercolor on paper
(113.7 x 112.4 cm)

But feeling:
Inside, 2001-2002
Watercolor on paper
(113 x 114.3 cm)


These beautiful works are from Francesco Clemente's 2002 exhibition of watercolors, The Book of the Sea at Gagosian Gallery, NY. Images from Gagosian Gallery.

I've just realized there are so many posts about the sea lately! Doubtless an indication Betta is firmly planted back in the raging bosom of the city.

Monday, January 19, 2009

Wave blinds

Over the weekend I watched the new Miyazaki film Ponyo On The Cliff by The Sea. Comprehension of the plot was rather stunted due to what I can only deem 'creative' subtitling. That's what you get for supporting movie piracy, Betta!

I need to watch it again, but two things stuck in my mind: One, it contains the most remarkable depiction of the sea I have ever seen on film, whether in animation or cinema. Sequences of violent waves during a raging storm were breathtaking. I can't find any screenshots of the storm online, and the only image I found of the water itself is this one, when the waves are rushing up a cliff on a calm day. I love how the waves have eyes! It conveys so perfectly that feeling of standing on the edge of a rock as a child, when the ocean reaches out it's fingers to pull you into it.


Two, the opening credits were utterly charming. Can't find a decent image of that either, except this printed handkerchief on ebay!


I've been mulling over what I want to make for this year's Art for Grabs, an art bazaar organized by Central Market Annexe Gallery in the middle of the year. I'm working on a jewelry collection, but I think I want to do that at more leisurely pace. So I was sitting in my room, and the evening sun was filtering through the light cotton blinds I have up. I thought how great it would be to have a looong wall filled with cotton blinds hung in a row, printed/dyed with an oceanscape of waves. It would be like a huge mural, only you could choose which part of it you wanted to take home with you, to hang on your wall or window. You could pick separate ones, or you could take a few in a row. And the waves would be all manner of grey, blue, green, brown, white. The blinds would be stitched together from found fabric, old bedsheets, etc....

Mmm.

Gotta go

Chong Kim Chiew, Untitled 12, 2004, Acrylic on canvas (28 x 33cm). A lovely little painting that slipped through my grasp in Valentine Willie Fine Art's Cabinet show late last year. But I bought the work of the artist who bought this work, and...uh, more on that another time. Sorry... brain farts.


At any given time... I have this feeling in me. It's only a matter of to what sort of degree. (Thanks to G. who sent the poem over)

Mostly, I believe that words are a veil... a skin over essentially the same longing, the same desires - freedom; to live at peace with the world, with other people, and with oneself:

I must go down to the seas again, to the lonely sea and the sky,

And all I ask is a tall ship and a star to steer her by,

And the wheel's kick and the wind's song and the white sail's shaking,

And a grey mist on the sea's face and a grey dawn breaking.


I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.

I must go down to the seas again, to the vagrant gypsy life,

To the gull's way and the whale's way where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick's over.

- John Masefield